photo by Victoria Petrosian
Zhannet Podobed is a Ukrainian artist working across interactive art, coding with AI, installation, painting, print, and animation. She holds an MA in Fine Art: Computational Arts from Camberwell College of Arts, University of the Arts London.
Her practice explores the shifting relationship between ecology, human perception, psychology, and technological systems. Working at the intersection of organic processes and computational structures, Zhannet investigates digital materiality, posthuman conditions, and the evolving boundaries between natural, artificial, and internal landscapes.
Through generative methods and AI-assisted coding combined with physical fine art processes, she constructs abstract, layered environments where forms emerge, dissolve, and reorganise. These systems mirror states of consciousness: tension and balance, fragmentation and integration, while reflecting on sustainability, climate anxiety, digital dependency, and the psychological impact of technologically accelerated environments.
Deeply research-based, her practice draws from ecological theory, posthuman philosophy, contemporary psychology, and media studies. Repetition, algorithm, and material gesture become tools for exploring self-perception and interdependence. She also engages with decentralised technologies and blockchain-based platforms as part of her investigation into digital ecosystems, authorship, and evolving systems of value.
Rather than presenting fixed narratives, Zhannet creates spaces that invite reflection, dialogue, and self-awareness, considering how identity, nature, and technology continuously reshape one another. She has participated in over 60 group exhibitions internationally and has undertaken several international art residencies.
Her practice explores the shifting relationship between ecology, human perception, psychology, and technological systems. Working at the intersection of organic processes and computational structures, Zhannet investigates digital materiality, posthuman conditions, and the evolving boundaries between natural, artificial, and internal landscapes.
Through generative methods and AI-assisted coding combined with physical fine art processes, she constructs abstract, layered environments where forms emerge, dissolve, and reorganise. These systems mirror states of consciousness: tension and balance, fragmentation and integration, while reflecting on sustainability, climate anxiety, digital dependency, and the psychological impact of technologically accelerated environments.
Deeply research-based, her practice draws from ecological theory, posthuman philosophy, contemporary psychology, and media studies. Repetition, algorithm, and material gesture become tools for exploring self-perception and interdependence. She also engages with decentralised technologies and blockchain-based platforms as part of her investigation into digital ecosystems, authorship, and evolving systems of value.
Rather than presenting fixed narratives, Zhannet creates spaces that invite reflection, dialogue, and self-awareness, considering how identity, nature, and technology continuously reshape one another. She has participated in over 60 group exhibitions internationally and has undertaken several international art residencies.